1990 – 2000
1990 Panser les Plaies d’un Arbre Déraciné / Sacrifice au Feu / Sheng Gua / Untitled
1991 Chemin / Devons-Nous Encore Construire une Grande Cathédrale ? / Floor / Unreadable Humidity /
Reappearance of The Red Cross / The First Phone Call to Joseph Beuys After his Death
1992 Aircraft / Cantine de Bibliothèque / Indigestible Object / Jarre / La Maison d’Augure / Grande Roulette / Safety Ladder / The Price Wheel
1993 108 Cards / Human Snake Plan / Passage / Roulette pour Pièce Semi-Circulaire / Theater of the World / Yellow Peril
1994 Chinese Hand Laundry / Kiosk / Le Sage Suivant l’Exemple de l’Araignée Tissant sa Toile / Out of the Center? / Overturned Tomb
1995 Balai / Bamboo-Buddha / Kearny Street / Pharmacy / Theater of the World-Bridge
1996 Terminal / Three Steps Nine Footprints
1997 Altar / Clinique / Da Xian / En Route / Le Sage Suivant l’Exemple de l’Araignée Tissant sa Toile 2 / Palanquin / Péril de Mouton /
VOC / 95 Arms of Guanyin
1998 De Gare de l’Est à Gare de l’Ouest / La Grange / Le Sage Suivant l’Exemple de l’Araignée Tissant sa Toile 3
1999 Crane’s Legs Deer’s Tracks / Globe and World Map / One Man Nine Animals / Plan for the Backs of Camels / To Start at the Serpent’s Head and To End at the Tiger’s Tail
↑ 治愈连根拔起的树木的伤口
PANSER LES PLAIES D’UN ARBRE DÉRACINÉ, 1990
Dead tree, papier-mâché
Approx. 1200 x 200 x 120 cm
Artist-in-residence at Fondation Cartier, Jouy-en-Josas, France, 1990
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↑ 火祭, SACRIFICE AU FEU, 1990
Four metal tumbleweed wagons, eight concrete and metal chapels, symbol made of stones
Inside cage 1: 600 kg of newspapers / cage 2: 40 fire extinguishers / cage 3: soil from Sainte Victoire / cage 4: burned wood
Each wagon: 200 x 200 x 250 cm
Each chapel: 150 x 110 x 360 cm
Symbol on the mountain: Approx. 9500 x 4500 x 300 cm
Exhibition view Sacrifice au feu, École des Beaux-Arts d’Aix-en-Provence, Saint-Victoire, France, 1990
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↑ 无题, UNTITLED, 1990
Plastic
600 x 600 x 500 cm
Rencontres Internationales Architecture et Textile, Nîmes, France, 1990
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↑ 升卦 / 地基
SHENG GUA / FOUNDATION, 1990
Concrete
2600 x 3000 x 100 cm
Exhibition view Chine Demain Pour Hier, Pourrières, France, 1990
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↑ 地板, FLOOR, 1991
Wood
Variable dimensions
Exhibition view Exceptional Passage: Chinese Avant-Garde Artists, Fukuoka Asian Art Museum, Japan, 1991
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↑ 道路, CHEMIN, 1991
Concrete
Variable dimensions
Exhibition view Exceptional Passage: Chinese Avant-Garde Artists, Fukuoka Art Museum, Japan, 1991
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↑ 我们还需要再建一个大教堂?
DEVONS-NOUS CONSTRUIRE UNE NOUVELLE CATHÉDRALE ?, 1991
Books, photograph, wood, papier-mâché
500 x 300 x 210 cm overall installed
Exhibition view Devons-nous encore construire une grande cathédrale ?
Fenster Gallery, Frankfurt, Germany, 1991
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↑ 约瑟夫.博伊斯死后打给他的第一个电
THE FIRST PHONE CALL TO JOSEPH BEUYS, 1991
Metal sheet, telephone, papier-mâché, drawing collage
Drawings: 42,6 x 434,9 cm each of 4
Objects: 13,9 x 58,1 x 23 cm
Exhibition House of Oracles: A Huang Yong Ping Retrospective, Walker Art Center, Minneapolis, USA, 2005
Collection Guanyi Art Documentation
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↑ 重现红十字：为三个凶的物件而做的计
REAPPEARANCE OF THE RED CROSS, 1991
Wood, copper pipe, stone, fabric, paper
Variable dimensions
Hôpital Éphémère, Paris, France, 1991
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↑ 不可阅读的湿性
UNREADABLE HUMIDITY, 1991
Washed books, papier-mâché
1100 x 250 x 200 cm
Exhibition view Carnegie International 1991, Carnegie Museum of Art, Pittsburgh, USA
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↑ 飞行器, AIRCRAFT, 1992
Plaster, wood
135 x 118 x 120 cm
Exhibition Gu Dexin, Huang Yongping, Zhang Peili, Galerie Arnaud Lefebvre, Paris, France, 1992
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↑ 图书馆公共食堂
CANTINE DE LIBRAIRIE, 1992
Wood, papier-mâché, ciment mixer machine, zinc cooking pot
Approx. 1000 x 200 x 130 cm
Exhibition view Parcours Privés 1992, Bibliothèque Forney, Paris, France, 1992
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↑ 大转盘, GRANDE ROULETTE, 1992
Wood
Approx. 200 x 200 x 300 cm
Exhibition view La Maison d’Augure, Galerie Froment et Putman, Paris, France, 1992
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↑ 占卜者之屋
LA MAISON D’AUGURE (HOUSE OF ORACLES), 1992
Tent and related objects of metal, cloth, water, wood, brass, papier-mâché
320 x 480 x 480 cm overall installed
Exhibition view La Maison d’Augure, Galerie Froment et Putman, Paris, France, 1992
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↑ 小赌盘, THE PRICE WHEEL, 1992
Instrument to define the price of an artist’s work between 5 and 500 000 francs
Wheel, paper
20,5 x 11,5 x 5 cm
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↑ 不能消化的物品
INDIGESTIBLE OBJECT, 1992
Rice, wood
400 x 400 x 1100 cm
Exhibition Small Medium Large: Lifesize, Museo d’Arte Contemporanea, Parto, Italy, 1992
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↑ 刀梯, SAFETY LADDER, 1992
Metal blades, wood
1200 x 50 x 270 cm
Exhibition view Resistance, Watari-Um Museum, Tokyo, Japan, 1992
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↑ 水缸, JARRE, 1992
Ceramic pot, water, metal
65 x 65 x 110 cm
Exhibition Resistance, Watari-Um Museum, Tokyo, Japan, 1992
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↑ 108 签, 108 CARDS, 1993
Cardboard tube, printed cards
Tube: 6,9 x 20,9 x 6,9 cm
Each card: 20,3 x 6,4 cm
Exhibition 1 & 108, Akademie Schloss Solitude, Stuttgart, Germany, 1993
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↑人蛇计划, HUMAN SNAKE PLAN, 1993
Fabric, metal, tyre, net, light box
3000 x 700 x 300 cm
Exhibition Fragmented Memory: The Chinese Avant-Garde in Exile, Wexner Center for the Visual Arts, Ohio State University, USA, 1993
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↑ 黄祸, YELLOW PERIL, 1993
Cage, silk and hessian tent, 1000 crickets, 5 scorpions
Exhibition view Silent Energy: New Art From China, The Museum of Modern Art, Oxford, UK, 1993
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↑ 通道, PASSAGE, 1993
Iron, wood, light boxes, metal coiling doors, lion feces, animal bones, metal food bowls
Each cage: 200,7 x 403,9 x 124,5 cm
Each doorway: 289,6 x 240,7 x 30,9 cm
Each light box: 36,5 x 133 x 17,8 cm
Exhibition view Coalition, Centre for Contemporary Arts, Glasgow, UK, 1993
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↑ 世界剧场, THEATER OF THE WORLD, 1993
Metal, wood, glass, living animals and insects (spiders, crickets, cockroaches, millipedes, lizards, toads, snakes)
166 x 295 x 175 cm
Exhibition view 1 & 108, Akademie Schloss Solitude, Stuttgart, Germany, 1993
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↑ 半圆厅转盘, ROULETTE POUR PIÈCE SEMI-CIRCULAIRE, 1993
Wood, paper, family objects, cardboard
Wheel: 32 x 32 x 20 cm
Exhibition view Rendez(-)vous, Gentse Museum van Hedendaagse Kunst, Ghent, Belgium, 1993
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↑ 中国手洗衣店
CHINESE HAND LAUNDRY, 1994
Car washing, canvas, rubber, wood
1200 x 600 x 400 cm
Exhibition view Huang Yong Ping: Chinese Hand Laundry – Chen Zhen: Field of Waste,
New Museum of Contemporary Art, New York, USA, 1994
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↑ 翻过来的坟墓
OVERTURNED TOMB, 1994
Reinforced concrete
700 x 600 x 270 cm
Exhibition view Heart of Darkness, Stichting Kröller-Müller Museum, Otterlo, The Netherlands, 1994
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↑ 走出中心?
OUT OF THE CENTRE! OUT OF THE CENTRE?, 1994
Rope, metal
4000 x 2500 x 300 cm
Exhibition view Out of the Centre, Porin Taidemuseo, Pori, Finland, 1994
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↑ 报亭, KIOSK, 1994
Papier-mâché, wood, iron
240 x 265 x 370 cm
5 Internationale Biennale der Papierkunst, Leopold-Hoesch Museum, Düren, Germany, 1994
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↑ 圣人师蜘蛛而结网
THE WISE MAN LEARNSFROM THE SPIDER HOW TO SPIN A WEB, 1994
Table, chair, lampshade, photocopies of a book on Marcel Duchamp light bulb, spider
Table: 76,2 x 121, 9 x 76,2 cm
Lampshade: 119,4 x 61 x 61 cm
(Photo 2) Exhibition House of Oracles: A Huang Yong Ping Retrospective, Walker Art Center, Minneapolis, USA, 2005
Collection Fonds National d’Art Contemporain, France
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↑ 药房, PHARMACY, 1995
Plywood, wok, dry insects, Chinese medicine, herbs, fabric, metal mesh
255,9 x 645 x 261,9 cm
Exhibition Pharmacie, Galerie Froment & Putman, Paris, France, 1995
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↑ 拖把, BALAI, 1995
Mop, shed snake skin, turtle shell
160 x 30 x 20 cm
Exhibition Pharmacie, Galerie Froment & Putman, Paris, France, 1995
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↑ 世界剧场/ 桥
THEATER OF THE WORLD/BRIDGE, 1993-1995
Metal, wood, glass, bronze sculptures borrowed from Musée Cernuschi (Paris), living animals and insects (spiders, crickets, cockroaches, millipedes, lizards, toads, snakes)
Bridge: 180 x 1200 x 310 cm
Theater of the World: 166 x 295 x 175 cm
Exhibition view Galerie des 5 Continents, Musée National des Arts d’Afrique et d’Océanie, Paris, France, 1995
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↑ 竹佛, BAMBOO-BUDDHA, 1995
Bamboo, bells
566 x 650 x 446 cm
Exhibition view Ripple Across the Water, The Watari-Um Museum of Contemporary Art, Tokyo, Japan, 1995
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↑ 科尼街, KEARNY STREET, 1995
Wood, light signals, water, mailboxes, 350 turtles
Variable dimensions
Exhibition view Kearny Street, Capp Street Project, San Francisco, USA, 1995
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↑ 三步九迹, THREE STEPS, NINE FOOTPRINTS, 1996
Plaster, iron, dustbin
Each foot: 80 x 10 x 35 cm
Variable dimensions overall
Exhibition view Trois Pas, Neuf Traces, Atelier d’Artistes de la Ville de Marseille, France, 1995
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↑ 终点站, TERMINAL, 1996
Wood, metal mesh, iron, insects
470 x 200 x 145 cm
Exhibition view Linien & Zeichen, Künstlerhaus Bethanien, Berlin, Germany, 1996
Collection Art Beatus Gallery
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↑ 供桌, ALTAR, 1997
Wood, five hats
200 x 40 x 120 cm
Exhibition view Da Xian – The Doomsday, Art & Public, Geneva, Switzerland, 1997
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↑ 大限, DA XIAN – THE DOOMSDAY, 1997
Fiberglass, oil paint, expired food products
Three bowls: 78 x 141 x 141 cm each
First exhibition Parisien(ne)s, Camden Arts Center, London, UK, 1997
(Photo 1) Exhibition view House of Oracles: A Huang Yong Ping Retrospective, Walker Art Center, Minneapolis, USA, 2005
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↑ 蛇轿, PALANQUIN, 1997
Bamboo, cane, snake skin, colonial hat, cushions
177.9 x 313.1 x 60 cm
Exhibition view House of Oracles: A Huang Yong Ping Retrospective, Walker Art Center, Minneapolis, USA, 2005
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↑ 诊所, CLINIQUE, 1997
Wood, bamboo, water, bronze, paper, pen, a taoist shaman
900 x 700 x 240 cm
Exhibition view Promenade in Asia 2, Shiseido Gallery, Tokyo, Japan, 1997
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↑ 途中, EN ROUTE, 1997
Wood, cage, clothes, 20 snakes
1450 x 750 x 400 cm
Exhibition view Unmapping the Earth, 2nd Gwangju Biennale, Gwangju, South Korea, 1997
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↑ 羊祸, PÉRIL DE MOUTON, 1997
Wood, bamboo, cowskin, sheepskin
1570 x 1260 x 700 cm
Exhibition view Péril de mouton, Fondation Cartier, Paris, France, 1997
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↑ 95手观音, 95 ARMS OF GUAN YI, 1997-2014
Wood, metal, terracotta, various objects
245 x 100 x 100 cm
Exhibition view Bâton Serpent, MAXXI, Rome, Italy, 2014
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↑ 圣人师蜘蛛而结网 2
LE SAGE SUIVANT L’EXEMPLE DE
L’ARAIGNÉE TISSANT SA TOILE 2
(THE WISE MAN LEARNS FROM THE SPIDER
HOW TO SPIN A WEB 2), 1997
Wood, copper, floating fish basket, taxidermic spider
Variable dimensions
Exhibition view Le sage suivant l’exemple de l’araignée qui tisse sa toile, Galerie Beaumontpublic, Luxembourg, 1997
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↑ VOC, 1997
Porcelain plates, metal, wood, cardboard boxes
Variable dimensions
Exhibition VOC – Handle With Care: Huang Yong Ping & Yang Mao-Lin, Ateneo San Basso, Venice, Italy, 1999
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↑ 粮仓, LA GRANGE, 1998
Wood, metal, taxidermic animals
1600 x 400 x 800 cm
Exhibition view Cities on the Move 2, CAPC Musée d’Art Contemporain de Bordeaux, France, 1998
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↑ 从东站到西站
DE GARE DE L’EST À GARE DE L’OUEST, 1998
Cans, fabric, caddies, chestnuts, stove, plastic garbage cans
600 x 540 x 540 cm
Exhibition Gare de l’Est, Casino Luxembourg, Forum d’Art Contemporain, Luxembourg, 1998
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↑ 圣人师蜘蛛而结网3
LE SAGE SUIVANT L’EXEMPLE DE
L’ARAIGNÉE TISSANT SA TOILE 3
(THE WISE MAN LEARNS FROM THE SPIDER
HOW TO SPIN A WEB 3), 1998
Copper, wires, wood, taxidermy spiders
Variable dimensions
Hugo Boss Prize 1998, The Guggenheim Museum SoHo, New York, USA, 1998
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↑ 蛇头虎尾
TO START AT THE SERPENT’S HEAD
AND TO END AT THE TIGER’S TAIL, 1999
Fiberglass, plywood, animal fur
1200 x 1200 x 150 cm
Exhibition view Passage: New French Art, Setagaya Art Museum, Tokyo, Japan, 1999
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↑ 地球仪和地图
GLOBE AND WORLD MAP, 1999
Copper rod, map mounted on wood
Globe: 50,8 x 40,6 x 40,6 cm
500 x 120 x 250 cm installed overall
Exhibition view Airs de Paris, Centre Pompidou, Paris, France, 2007
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↑ 鹤足鹿迹
CRANE’S LEGS, DEER’S TRACK, 1999
Aluminium sheets, pine wood, pigments, taxidermy crane, deer
1200 x 1200 x 400 cm
Exhibition view Huang Yong Ping: Crane’s legs, Deer’s tracks / Shen Yuan: Diverged Tongue, Center for Contemporary Art Kitakyushu, Japan, 1999
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↑ 一人九兽
UN HOMME, NEUF ANIMAUX
(ONE MAN, NINE ANIMALS), 1999
Wood, aluminium
Nine animals: 250 x 150 x 250 cm max each
French Pavilion: Jean-Pierre Bertrand & Huang Yong Ping, 48th Venice Biennale, Venice, Italy, 1999
Collection Guy & Myriam Ullens Foundation
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↑ 驼背上的计划
PLAN FOR THE BACKS OF CAMELS, 1999
Wooden panels on living camels
Each panel: 110 x 70 x 45 cm
Sutan’s Pool, Jerusalem, 1999
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